Soul Cycle

It's been a while since I've been this completely floored by free music. Remember my previous post about Sonorant? It seems that its frontman (also only-man), guitarist Chris Catharsis, has been busy with his more recent project, Soul Cycle. This time, however, Chris brings more than Meshuggah-esque djent rhythms and alternately looming or brutal melodies. Soul Cycle's modus operandi is a bit harder to pin down than that. Take the opening of the song Heartless from Soul Cycle's eponymous debut album. The first minute or so features cheery, chorus-soaked arpeggios of the sort one generally does not expect to find on an album this heavy. While similar elements are present in some of Sonorant's works, here these interludes feel more strongly integrated into the music, and with spectacular results. Chris Catharsis has matured as a songwriter, and it shows. The music on Soul Cycle and Soul Cycle II is thoroughly splendid throughout, with brutal rhythms, searing leads and spectacular melodies. Moreover, the music reaches emotional heights previously lacking from Chris' work in Sonorant. Rather than simply beating down the listener with brutal riffs, the offerings here feel significantly richer and more dynamic. As an added bonus, Soul Cycle and Soul Cycle II are full length albums, as opposed to the EPs produced by Sonorant. While the music is available free, I must say that audio quality is fantastic with. One. Glaring. Exception. I understand that not every group can afford to staff a drummer. Really, I get it. Soul Cycle is, after all, only two people: Chris Catharsis doing triple duty on lead, rhythm and bass guitars, and Mark Hawkins also on lead guitar. However, there are moments when my ears feel violated by the sheer tinniness of the programmed drums. These moments, while few and far between, manage to seriously detract from the guitars, which are the obvious main attraction of Soul Cycle. Don't let my criticism dissuade you from giving them a listen, however. Soul Cycle is packing some of the most blisteringly intense and searingly delicious shred I've heard in a while. Not too many groups can actually pull off that magical combination of impressive guitar chops and songs actually worth hearing. Either you get "good enough" guitar-playing or "merely passable" songs. I certainly am not hearing compromises from Soul Cycle. The melodies are strong, well-executed, and leave your guitar-nerd of a host feeling absolutely ecstatic. It's just that good.

All in all, Soul Cycle offers some stupendous guitar carnage for the low, low price of free. The music is incredibly precise while also being emotive. The recording quality is, for the most part, top-notch. The songs are diverse and technically impressive. This, ladies and gents, is some grade-A face-melting material we have here. You can find Soul Cycles two currently-released works here: http://soulcyclemetal.bandcamp.com/. You can choose how much (or whether) to pay them for both albums. If you enjoy the music (I certainly do), then please support the artists responsible. Until next time! Guitarman, out.

Sonorant

I promised posts, so here's some more free music. Introducing Sonorant (AKA Chris Catharsis), a Georgia-based metal guitarist well worth keeping an eye on. These days, metal bands can often be divided into either melodic or rhythm-focused groups in terms of their instrumentals. The more melody-based metal acts (Bullet For My Valentine, Avenged Sevenfold, etc.) tend to have a wider appeal than, say, rhythm-centric (and, in my personal opinion, fascinating) groups in the vein of Meshuggah. This is arguably all the more reason to appreciate acts like Sonorant which manage to strike an even balance of melodic and rhythmic craziness. Not only displaying a keen ear for melody, Sonorant appears to be heavily influenced by none other than the mighty Meshuggah, as evidenced by the cover of Meshuggah's song Sane on the band's Myspace page. For those of you unfamiliar with Meshuggah, they are essentially the masters of rhythmic displacement, polyrhythms, polymeters, and inordinately heavy guitar grooves. As Meshuggah guitarist Fredrik Thorendal once told Guitar World magazine (quoted from the September 2012 issue), "I understand why people hear odd meters in our songs, because we group our notes in different ways. But just about all of them are 4/4." The band's tracks tend to focus more on creating a groove than a melody. Sonorant's songs, however, combine the interesting rhythmic elements of bands like Meshuggah with some fantastic melodies. As an added bonus, Sonorant's songs don't have vocal tracks, allowing them to appeal to those who would be repulsed by the menacing barks, snarls and growls of Meshuggah's singer. As usual, more of Sonorant's tracks can be found for free at their Jamendo page. Enjoy.